The Seinandza Theatre
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"Upon My Life I Swear My Love For Sango" |
Namboku Tzuruia |
Namboku Tzuruia (1755-1829) wrote plays for the Kabuki Theatre in the early 19th century. He was born in Edo (now Tokyo), and his activity as a playwright coincided with the reign of the Bunka-Bunsei dynasty. Tzuruia is regarded as a great Japanese playwright, and his work has greatly influenced both the Kabuki theatre and the development of Japanese drama as a whole. The play had originally opened in 1825, when it was considered that it was a 'horror-inspiring play'. As a result, it was removed from the repertoire of the Kabuki and for a long time disappeared from the stage. The key theme of the play is a conflict between love and fidelity on the one hand, and betrayal and power of money on the other. The moral issues on which the play dwells are as vital today - in Japan or elsewhere in the modern world - as they were in the past. The worship of the golden calf and its eventual triumph over personality has remained a recurrent and meaningful motif throughout the history of mankind. |
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![]() | Sudzi Ishidzawa, the director, was born in Tokyo in 1930. He graduated from the drama studies department of Tokyo University. In 1964 he did a training course under Jean-Loius Barrault. He was the Chief Editor and publisher of the magazine Singaki (New Theatre) and one of the founders of the drama department at Toho Gakuen University. At present he heads the literary department of the Seinandza Theatre. In addition, Sudzi Ishidzawa is Chairman of the Japanese Centre of the International Association of Theatre Critics, and Vice-President of the Japanese Association of Artistic Directors. Among Ishidzawa's principal productions are Thoughts of Siaraku and Yaya by Seyiti Yashiro, Upon My Life I Swear My Life for Sango by Namboku Tzuruia, Karasiuki-san by Kan Miyamoto, The Bald Singer by Ionesco and Brecht's The Beggar's Opera. Ishidzawa is a holder of numerous Japanese awards. |
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Moscow Chekhov Art Theatre 25, 26, 27 April Kamergersky Lane, 3 |
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