Ultima Vez
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"7 for a Secret never to be told" |
![]() Music by Arno, Charo Calvo, Pascal Comelade, Thierry De Mey, Kimmo Hakola, Pierre Vervloesem Sets and costumes designed by Isabelle Lhoas Lighting designed by Dries Vercruysse, Wim Vandekeybus With: Nordine Benchorf, John Campbell, Carlos de Haro Flores, Lorenza Di Calagero, Lieve Meeussen, Rasmus Olme, Orlando Ortega Gonzalez, Celine Perroud and Isabelle Schad |
![]() | Wim Vandekeybus evokes a dramatic effect by juxtaposing plastic movement, music and scenography. Thus, according to one critic, the performance entitled What the Body Does Not Remember (1987) was distinguished by "a brutal conflict of dance and music, by a bellicose, aggressive landscape, which showed what the body really did not remember". The Weight of a Hand (1989) revealed a "confrontation" between the actors and the musicians. In the video film Roseland (1990), which Vandekeybus made in collaboration with Walter Verdin and Octavio Strube the dance was performed in an unexpected and visually effective setting of a half-ruined disused cinema theatre in Brussels. The action of another of his video films, Le Mentira (1993), was partly set in Antwerp, partly in a desolate landscape near Granada in Spain. His production of Her Body Doesn't Fit Her Soul (1993), which has won prizes at several international European festivals, Wim Vandekeybus staged with blind dancers. |
![]() Wim Vandekeybus |
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Pushkin Drama Theatre 20, 21 April Tverskoy Boulevard, 23 |
The Snake Woman | Festival Homepage | Ivanov
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